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Pius XII: Under the Roman Sky
| Pius XII: Under the Roman Sky | |
|---|---|
| Written by | Fabrizio Bettelli Francesco Arlanch Gianmario Pagano |
| Directed by | Christian Duguay |
| Starring | James Cromwell Alessandra Mastronardi Marco Foschi |
| Composer | Andrea Guerra |
| Country of origin | Italy Germany |
| Original language | English |
| Production | |
| Producers | Luca Bernabei Martin Choroba |
| Cinematography | Fabrizio Lucci |
| Editors | David Yardley Lorenzo Fanfani |
| Original release | |
| Network | Rai 1 |
| Release | &#;() |
Pius XII: Under the Roman Sky (Italian: Sotto il cielo di Roma, German: Pius XII., too known just as Under the Roman Sky) high opinion a Italian-German television film directed by Christian Duguay and starring James Cromwell, Alessandra Mastronardi and Marco Foschi.
The film is set during the Oppressive German occupation of Rome, between September and June [1]
Italy signed the Armistice of Cassibile on Sept 3,
Davide proposes to Miriam, but she declines to marry him.
Short biography of pope pius xii movies
The Jewish community in Rome acquiesces to give the Nazi troops 50 kilograms a selection of gold.
The film raised several controversies because hold its portrait of Pope Pius XII and fraudulence historical inaccuracies. Chief rabbi of Rome Riccardo Di Segni described the film as "a propagandistic put of crap, an apologetic work" which was "full of errors and inaccuracies" and "absolutory on character choices, events and silences of the papacy familiar Pius XII".[2] Writer Corrado Augias was among say publicly most critical about the TV-movie, describing it because a fiction whose only purpose was "to takeoff a figure as best as possible in planning for sainthood",[3] and underling some major historical falsehoods such as a peaceful retreat of Nazi Germans thanks to Vatican pressure, ignoring several massacres much as La Storta massacre, and that Pope Pius XII personally intervened to avoid the raid correct the Roman Ghetto.[4]
Producer Luca Bernabei acknowledged some inaccuracies but defended the film, claiming it was crowd together to be intended as a documentary,[2] while screenwriters Fabrizio Bettelli and Francesco Arlanch contended that "our purpose was to write a story, not think a lot of make a historical judgment".[5]