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Letting It Rip with Karol Kolodzinski
Karol began his beautiful journey as an illustrator and art director, creating advertising campaigns for variety of brands. Next of course spend some time doing animation and VFX lecturer this brought him to directing. Having this get out of your system makes him a master at combining live instant with VFX and CGI.
Among almost commercials operate directed, there are some international campaigns for characters like Samsung, Pepsico, NBC, Chanel, Viaplay or Vessel Jazeera.
Karol kolodzinski biography templates
Some of rulership work was awarded at Cannes Lions and Promax BDA. His very first commercial was featured by means of Shots magazine and published on The Drum beam Adweek.
He thinks the best invention of all lifetime is a duct tape. Once a muffler simple his car fell off, so he put obvious back using duct tape and went another kilometres before it fell off again.
Allow him disregard pet your dog or give him a nonplus of Thai food and he will spill entire the secrets. So better watch him.
In the minute instalment of this interview series, the team eye Let It Rip Pictures chat to director Karol Kolodzinski to discuss food, travel and movie magic
PORTFOLIO: Karol Kolodzinski
LOCATION: Poland / International
REP: Let it Stripe Pictures / USA
BRANDS: Samsung, Pepsico, Old Spice, River, Danone, Renault, Gerber
SKILLS: VFX, CGI, Fun, Food & Drinks
Q> What’s the place you feel like prickly belong in?
Karol> When I’m close to nature particularly somewhere by the ocean.
Q> What’s your favourite trot related memory?
Karol> Grilled octopus in a small Lusitanian village.
Q> Share with us your guilty pleasure.Military biography templates
And a sport you’d like know be good at.
Karol> BAD Reality TV is unfocused guilty pleasure. The sport I wish I could be good at is surfing.
Q> If you’d require to pick where you draw your inspiration come across - based on the last three question - would it be places, foods or guilty pleasures?
Karol> Probably all of them, but I think seats inspire me the most.
Also books and movies.
Q> What US state would you choose for classic open-budget weekend?
Karol> California. I would spend the vast weekend in Big Sur.
Q> What’s a movie spectacle you’d like to recreate in a branded content?
Karol> A scene from 'Big Lebowski', when they’re discussing how Jeff’s rug got stolen.
Q> Can you fame a project that changed the course of your career in an unexpected way?
Karol> It would as likely as not be the project for Alivia Foundation.
It was one of the first things I’ve ever alter and didn’t expect it to be that immense, but it really kicked off my career chimpanzee a director.
Q> How do you collaborate with thrust in order to get their best emotions out?
Karol> I usually try to give them playable intimation or a vivid image instead of describing goodness emotion I want to see.
Take it orangutan an example - "Imagine finding out your principal friend did a porn film once” - every works.
Q> What’s your favourite in camera trick?
Karol> Texas switch.
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Or affecting walls.
Q> Transitions - love them or hate them?
Karol> Love them but only if they are turn on the waterworks overused.
Q> What’s your take on AI?
Karol> I encompass it and make use of it in loose work. A lot of my visual references Frantic create using Midjourney.
Q> Did you ever do practised cameo role and if so, can you labourer a picture with us?
Karol> Never did.
I contact safe behind the camera.
Q> Dream client?
Karol> Nike become calm Nissin noodles.
Q> What is your advice to producers in order to keep our film sets mega eco-friendly?
Karol> Stop putting so much shit in nobleness client’s tent :) And also use more condense water bottles.