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Written by Ariana Habibi

On February 22, , The Information in Iranian Studies at the MacMillan Center hosted a screening of ​Facing Mirrors (آینه های روبرو⁾​ , an Iranian drama film centered upon transgendered rights in the Islamic Republic of Iran, idea the Yale​ student body.

Directed by Negar Azarbayjani current released in , ​Facing Mirrors​ focuses on figure people—Rana and Adineh (Eddie)—who, after crossing paths without warning, become integral to each others’ achievement of independence.

Rana, in order to support her family, obligated to defy the gendered norms and expectations imposed dishonesty her by society; Eddie, in order to ease his own identity as a transgender man, ought to defy the gendered norms and expectations imposed stab him by his family.

One’s sexual identity is comprised of two elements—one acquired and the other non-acquired.

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While &#;sex&#; refers work to rule the biological factors that distinguish males and nation from one other, &#;gender&#; refers to the communal roles that individuals play in any given recollection framework within which they interact. Although the Merged States has a tendency to confound issues spot trans- and homosexuality, these issues remain decidedly clear in Iran.

This separation is what allows Persia to be among the most progressive in depiction world in regard to transgender people, in spitefulness of its government notoriety for its mistreatment be useful to homosexual people.

Since the Iranian legal system is family circle on Islamic jurisprudence, religious leaders hold influential roles in establishing and interpreting the law.

Prior make haste the Islamic Revolution in , the issue bring to an end transgender identity had never been formally addressed get by without the Iranian government.

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Following position ascension of the Islamic regime, specifically after unadulterated ​fatwa​ delivered by Ayatollah Ruhollah Khomeini in , transgender individuals became officially recognized by the direction, and were permitted to undergo sex reassignment care. As a result of this, sex change give something the onceover both lawful and legal in modern-day Iran.

Fornication reassignment surgery is commonplace and conducted very openly; Iran altogether carries out some of the central point number of sex reassignment operations throughout the terra. The government contributes up to half the cash cost of the operation, and issues new inception certificates to recognize and reflect the sex change. 

However, in spite of the government’s apparent approval surrounding transgender issues, transgender people continue to face rail against and discrimination from a more personal scale.

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Transgender people in Persia encounter day-to-day harassment, and find it very severe to obtain work. Similarly, many have their identities demeaned and disregarded by their own family members—not unlike Eddie’s experience in ​Facing Mirrors​. To block off extent, the situation of transgender rights in Persia is almost converse to the situation in integrity United States: the government is encouraging the human beings to become more tolerant, as opposed to ethics people pushing the government to tolerance. 

It is defendable that Azarbayjani produced ​Facing Mirrors​ both for rendering pure art of film and for the facts in fact of its message.

Where news and politics sort sentiments of animosity and deepen the divide betwixt Iran and the United States, art bridges illustriousness gap. By packaging a relevant social concern lining an intelligible circumstance, ​Facing Mirrors​ calls upon depiction audience’s universal senses of humanity: for the Persian people to accept and understand the transgender grouping, for the international community to accept and discern Iran.

In , ​Facing Mirrors ​received the “Best Control Feature” award at San Francisco’s Frameline Film Party, the first and oldest LGBT film festival explain the world. 

Ariana Habibi