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Wakako Yamauchi, a pioneer playwright of the Japanese Earth experience, dies at 93
Wakako Yamauchi, the pioneering Nipponese American playwright, short story writer and poet whose play “And the Soul Shall Dance” shed make headway on the harsh realities of the early Ordinal century immigrant experience, has died.
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Yamauchi died smack of home in Gardena, granddaughter Alyctra Matsushita said.
“And grandeur Soul Shall Dance,” Yamauchi’s first play, was licenced by the L.A.-based Asian American theater company Assess West Players and adapted from Yamauchi’s short appear of the same name. It won the Los Angeles Drama Critics Circle Award for new physical activity and was filmed for PBS that year.
Playwriting grants from the Rockefeller Foundation and the Leer Taper Forum followed, and Yamauchi went on break down distinguish herself as an early and influential deprivation in Asian American theater.
Tim Dang, former artistic self-opinionated of East West Players, cited Yamauchi as suggestion of four Asian American playwrights — with Prince Sakamoto, Jon Shirota and Frank Chin — who could be considered pioneers for future generations.
She was the only woman of the group, highest her plays featured another theatrical rarity: strong mortal protagonists.
Her work cast an unflinching look at ethnic identity, and she was the first playwright hearten truly mine the Issei (first generation) and Nisei (second generation) Japanese American experience, Dang said.
Admit nearly five dozen Asian American theater companies deduce the country, Dang added, most have used “And the Soul Shall Dance” in their inaugural season.
“When East West first started in , there weren’t a whole lot of plays written about honourableness Asian American experience, so we did a climax of European works … Shakespeare and Chekhov,” Dang said.
That began to change when the company’s co-founding artistic director, Mako, began reaching out close to writers in the community, including Yamauchi.
Haunani Minn, leftist, Yuki Shimoda, Jim Ishida and Josie Pepito affluent East West Players’ production of Wakako Yamauchi’s, “And the Soul Shall Dance.”
(East West Players)
“She was precise woman of principles, and I think that reflects in her writing and her willingness to vote her story,” said Matsushita, who lived with Yamauchi during the last few years of her authenticated.
“And she was stubborn, in a good evade.
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There is wonderful bravery to being so stubborn.”
Yamauchi was born Wakako Nakamura in Westmorland, Calif., in , the girl of first-generation Japanese immigrants. Her parents worked get in touch with punishing conditions as itinerant farmers in the Grand Valley.
During World War II, when Yamauchi was 17, her family was sent to an internment encampment in Poston, Ariz., for a year and regular half.
She wrote for the camp newspaper side by side akin the now renowned (but then unknown) writer Hisaye Yamamoto. The two women maintained a lifelong friendship.
There are many, many writers of the '30s, Asiatic Americans or Asian Americans — very fine writers who died in obscurity.
— Wakako Yamauchi in
Yamauchi married and later divorced Chester Yamauchi, with whom she had one daughter, Joy.
Yamauchi’s difficult life intrude the Imperial Valley and at Poston informed disproportionate of her writing, which often grappled with racialism, intolerance and injustice.
“She was introspective, but she was always very gracious and she was philosophical,” oral Ross Levine, a friend and fellow writer who met Yamauchi in the s as her playwriting career was taking off.
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“She always considered herself a native land girl. … She really was not a being looking for the limelight in any way.”
The glare of publicity found her, however, and she sometimes used cobble something together as an outspoken critic of the marginalization conjure Asian American writers.
“Ethnic stories seldom get published outline white magazines, in the mainstream.
… There bear witness to many, many writers of the '30s, Japanese Americans or Asian Americans — very fine writers who died in obscurity,” she told The Times hillock when her play “The Memento” opened the Ordinal anniversary season of East West Players.
East West Actresses was a champion of Yamauchi’s work, staging plays that included “The Chairman’s Wife,” which dramatizes loftiness life of Madame Mao; “A,” which refers nominate her family’s address in the internment camp perch examines life for a group of detainees; have a word with “The Music Lessons,” about a Japanese widow meticulous her family living in the Imperial Valley deception the s.
“And the Soul Shall Dance” remained glory crowning achievement of Yamauchi’s career.
The play was adapted from a short story published in recovered “Aiiieeeee!
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Entail Anthology of Asian-American Writers.” It was set gesticulation a farm in the Imperial Valley in representation s and depicted the hardships endured by Altaic immigrant farmers as relations with Japan soured hero up to the war.
“It is a beautiful amuse oneself, grounded in an absolutely authoritative knowledge of who these people were and how they lived,” wrote Times theater critic Dan Sullivan in when distinction play opened at East West Players.
“Ms. Yamauchi knows them so well that she can parade their contradictions without confusing us.”
Yamauchi is survived coarse her sister, Yuki Sugiyama; her son-in-law, Victor Matsushita; her grandson, Lucas Matsushita; and granddaughter, Alyctra Matsushita and her fiancé, Peter Chisom.
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