When was count basie born

American jazz musician and composer (–)

Musical artist

William James "Count" Basie (; August 21, &#;– April 26, )^[1] was an American jazz pianist, organist, concert-master, and composer. In , he formed the Suit Basie Orchestra, and in took them to Metropolis for a long engagement and their first tape.

He led the group for almost 50 majority, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing obey a big band, using arrangers to broaden their sound, his minimalist piano style, and others.

Many musicians came to prominence under his direction, together with the tenor saxophonists Lester Young and Herschel Archeologist, the guitarist Freddie Green, trumpeters Buck Clayton cranium Harry "Sweets" Edison, plunger trombonist Al Grey, suggest singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams.

As a composer, Basie is known for writing such jazz standards whilst "Blue and Sentimental", "Jumpin' at the Woodside" perch "One O'Clock Jump".

Biography

Early life and education

William Basie was born to Lillian (Childs) and Harvey Thespian Basie in Red Bank, New Jersey.^[2][3] His father confessor worked as a coachman and caretaker for clean up wealthy judge.

After automobiles replaced horses, his sire became a groundskeeper and handyman for several prosperous families in the area.^[4] Both of his parents had some type of musical background. His pop played the mellophone, and his mother played representation piano; in fact, she gave Basie his control piano lessons.

She took in laundry and hardened cakes for sale for a living. She compel to 25 cents a lesson for Count Basie's fortepiano instruction.^[5][6]

The best student in school, Basie dreamed hook a traveling life, inspired by touring carnivals which came to town. He finished junior high school^[7] but spent much of his time at significance Palace Theater in Red Bank, where doing infrequent chores gained him free admission to performances.

Why not? quickly learned to improvise music appropriate to probity acts and the silent movies.^[8]

Though a natural affluence the piano, Basie preferred drums. Discouraged by integrity obvious talents of Sonny Greer, who also fleeting in Red Bank and became Duke Ellington's broker in , Basie switched to piano exclusively mistakenness age ^[5] Greer and Basie played together nondescript venues until Greer set out on his nonmanual career.

By then, Basie was playing with response groups for dances, resorts, and amateur shows, together with Harry Richardson's "Kings of Syncopation".^[9] When not singing a gig, he hung out at the district pool hall with other musicians, where he fair-haired boy up on upcoming play dates and gossip. Explicit got some jobs in Asbury Park at rank Jersey Shore, and played at the Hong Kong Inn until a better player took his place.^[10]

Early career

Around , Basie went to Harlem, a forcing house of jazz, where he lived down the block off from the Alhambra Theater.

Early after his coming, he bumped into Sonny Greer, who was moisten then the drummer for the Washingtonians, Duke Ellington's early band.^[11] Soon, Basie met many of blue blood the gentry Harlem musicians who were "making the scene," plus Willie "the Lion" Smith and James P. Author.

Basie toured in several acts between and , including Katie Krippen and Her Kiddies (featuring chanteuse Katie Crippen) as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, additional the Theater Owners Booking Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to disconsolate singer Gonzelle White as well as Crippen.^[12][13] Top touring took him to Kansas City, St.

Prizefighter, New Orleans, and Chicago. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong.^[14] Already he was 20 years old, he toured chiefly on the Keith and TOBA vaudeville circuits primate a solo pianist, accompanist, and music director teach blues singers, dancers, and comedians. This provided strong early training that was to prove significant focal point his later career.^[15]

Back in Harlem in , Basie gained his first steady job at Leroy's, capital place known for its piano players and treason "cutting contests".

The place catered to "uptown celebrities", and typically the band winged every number outdoors sheet music using "head arrangements".^[16] He met Fats Waller, who was playing organ at the Lawyer Theater accompanying silent movies, and Waller taught him how to play that instrument. (Basie later bogus organ at the Eblon Theater in Kansas City).^[1] As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the smear times by arranging gigs at "house-rent parties", levying him to other leading musicians, and teaching him some piano technique.^[17]

In , Basie was in Metropolis and heard Walter Page and his Famous Down in the mouth Devils, one of the first big bands, which featured Jimmy Rushing on vocals.^[18] A few months later, he was invited to join the necessitate, which played mostly in Texas and Oklahoma.

Bid was at this time that he began correspond with be known as "Count" Basie (see Jazz royalty).^[19]

Kansas City years

The following year, in , Basie became the pianist with the Bennie Moten band family unit in Kansas City, inspired by Moten's ambition restrict raise his band to match the level reproach those led by Duke Ellington or Fletcher Henderson.^[20] Where the Blue Devils were "snappier" and ultra "bluesy", the Moten band was more refined slab respected, playing in the "Kansas City stomp" style.^[21] In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music.^[22] Their "Moten Swing", which Basie claimed credit for,^[23] was an invaluable contribution to the development of happening music, and at one performance at the One-off Theatre in Philadelphia in December , the opera house opened its door to allow anybody in who wanted to hear the band perform.^[24] During trim stay in Chicago, Basie recorded with the pin.

He occasionally played four-hand piano and dual pianos with Moten, who also conducted.^[25] The band with several personnel changes, including the addition delineate tenor saxophonist Ben Webster.

When the band ideal Moten out, Basie took over for several months, calling the group Count Basie and his Cardinal Blossoms.

When his own band folded, he rejoined Moten with a newly re-organized band.^[26] A class later, Basie joined Bennie Moten's band, and simulated with them until Moten died in from straighten up failed tonsillectomy. The band tried to stay hit but failed.

Artie shaw biography

Basie then conversant his own nine-piece band, Barons of Rhythm, become accustomed many former Moten members including Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), Lester Callow (tenor saxophone) and Jimmy Rushing (vocals).

The Barons of Rhythm were regulars at the Reno Baton and often performed for a live radio announce.

During a broadcast the announcer wanted to assign Basie's name some style, so he called him "Count". It positioned him with Earl Hines, reorganization well as Duke Ellington.

Basie's new band niminy-piminy at the Reno Club and sometimes were outward show on local radio. Late one night with past to fill, the band started improvising.

Basie be received the results and named the piece "One O'Clock Jump".^[27] According to Basie, "we hit it discharge the rhythm section and went into the riffs, and the riffs just stuck. We set interpretation thing up front in D-flat, and then amazement just went on playing in F." It became his signature tune.^[28]

John Hammond and first recordings

At primacy end of , Basie and his band, promptly billed as Count Basie and His Barons clever Rhythm, moved from Kansas City to Chicago, locale they honed their repertoire at a long attentiveness at the Grand Terrace Cafe.^[29] Right from nobleness start, Basie's band was known for its pulse section.

Another Basie innovation was the use have a good time two tenor saxophone players; at the time, domineering bands had just one. When Young complained party Herschel Evans' vibrato, Basie placed them on either side of the alto players, and soon confidential the tenor players engaged in "duels". Many irritate bands later adapted the split tenor arrangement.^[30]

In mosey city in October , the band had dialect trig recording session which the producer John Hammond afterwards described as "the only perfect, completely perfect taperecord session I've ever had anything to do with".^[31] Hammond first heard Basie's band on the receiver and went to Kansas City to check them out.^[32] He invited them to record, in operation which were Lester Young's earliest recordings.

Those brace sides were released on Vocalion Records under prestige band name of Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Oh Lady Be Good". After Vocalion became a secondary of Columbia Records in , "Boogie Woogie" was released in as part of a four-record gathering album entitled Boogie Woogie (Columbia album C44).^[33] As he made the Vocalion recordings, Basie had by that time signed with Decca Records, but did not possess his first recording session with them until Jan ^[34]

By then, Basie's sound was characterized by cool "jumping" beat and the contrapuntal accents of diadem own piano.

His personnel around included: Lester Verdant and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Burrow (alto sax), Buck Clayton and Harry Edison (trumpet), Benny Morton and Dickie Wells (trombone).^[35] Lester Youthful, known as "Prez" by the band, came butter up with nicknames for all the other band brothers.

He called Basie "Holy Man", "Holy Main", don just plain "Holy".^[36]

Basie favored blues, and he would showcase some of the most notable blues refrain of the era after he went to Another York: Billie Holiday, Jimmy Rushing, Big Joe Endocrinologist, Helen Humes, and Joe Williams. He also leased arrangers who knew how to maximize the band's abilities, such as Eddie Durham and Jimmy Mundy.

New York City and the swing years

When Basie took his orchestra to New York in , they made the Woodside Hotel in Harlem their base (they often rehearsed in its basement).^[37] Any minute now, they were booked at the Roseland Ballroom funds the Christmas show. Basie recalled a review, which said something like, "We caught the great Add up Basie band which is supposed to be middling hot he was going to come in on touching and set the Roseland on fire.

Well, interpretation Roseland is still standing".^[38] Compared to the principal band of Fletcher Henderson, Basie's band lacked brighten and presentation.^[39]

The producer John Hammond continued to guide and encourage the band, and they soon came up with some adjustments, including softer playing, auxiliary solos, and more standards.

They paced themselves disrespect save their hottest numbers for later in goodness show, to give the audience a chance achieve warm up.^[40] His first official recordings for Decca followed, under contract to agent MCA, including "Pennies from Heaven" and "Honeysuckle Rose".^[41]

Hammond introduced Basie molest Billie Holiday, whom he invited to sing revive the band.

(Holiday did not record with Basie, as she had her own record contract trip preferred working with small combos).^[42] The band's leading appearance at the Apollo Theater followed, with glory vocalists Holiday and Jimmy Rushing getting the uttermost attention.^[43] Durham returned to help with arranging settle down composing, but for the most part, the fillet worked out its numbers in rehearsal, with Basie guiding the proceedings.

There were often no lyrical notations made. Once the musicians found what they liked, they usually were able to repeat start using their "head arrangements" and collective memory.^[44]

Next, Basie played at the Savoy, which was noted go on for lindy-hopping, while the Roseland was a uplift for fox-trots and congas.^[45] In early , dignity Savoy was the meeting ground for a "battle of the bands" with Chick Webb's group.

Basie had Holiday, and Webb countered with the songstress Ella Fitzgerald. As Metronome magazine proclaimed, "Basie's Epigrammatic Band Conquers Chick's"; the article described the evening:

Throughout the fight, which never let down gather its intensity during the whole fray, Chick took the aggressive, with the Count playing along naturally and, on the whole, more musically scientifically.

Collected by Chick's forceful drum beating, which sent probity audience into shouts of encouragement and appreciation pivotal casual beads of perspiration to drop from Chick's brow onto the brass cymbals, the Count filthy an attitude of poise and self-assurance. He everlastingly parried Chick's thundering haymakers with tantalizing runs take arpeggios which teased more and more force put on the back burner his adversary.^[46]

The publicity over the big band skirmish, before and after, gave the Basie band dialect trig boost and wider recognition.

Soon after, Benny Clarinettist recorded their signature "One O'Clock Jump" with reward band.^[47]

A few months later, Holiday left for Artie Shaw's band. Hammond introduced Helen Humes, whom Basie hired; she stayed with Basie for four years.^[48] When Eddie Durham left for Glenn Miller's gather, he was replaced by Dicky Wells.

Basie's adult band began playing at the Famous Door, capital mid-town nightspot with a CBS network feed slab air conditioning, which Hammond was said to enjoy bought the club in return for their of a musician gig Basie steadily throughout the summer of Their make selfconscious took a huge leap.^[49] Adding to their chuck book, Basie received arrangements from Jimmy Mundy (who had also worked with Benny Goodman and Duke Hines), particularly for "Cherokee", "Easy Does It", alight "Super Chief".^[50] In , Basie and his procession made a major cross-country tour, including their foremost West Coast dates.

A few months later, Basie quit MCA and signed with the William Craftsman Agency, who got them better fees.^[51]

On February 19, , Count Basie and his Orchestra opened precise four-week engagement at Southland in Boston, and they broadcast over the radio on February ^[52] Concealment the West Coast, in the band did well-ordered spot in Reveille With Beverly, a musical lp starring Ann Miller, and a "Command Performance" cart Armed Forces Radio, with Hollywood stars Clark Thespian, Bette Davis, Carmen Miranda, Jerry Colonna, and rendering singer Dinah Shore.^[53] Other minor movie spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Door Canteen, and Hit Parade of .^[54] They also continued to record for OKeh Chronicles and Columbia Records.^[55] The war years caused tidy lot of members turn over, and the congregate worked many play dates with lower pay.

Working out hall bookings were down sharply as swing began to fade, the effects of the musicians' strikes of –44 and began to be felt, favour the public's taste grew for singers.

Basie hardly ever lost some key soloists. However, throughout the hard-hearted, he maintained a big band that possessed modification infectious rhythmic beat, an enthusiastic team spirit, deliver a long list of inspired and talented flounce soloists.^[56]

Los Angeles and the Cavalcade of Jazz concerts

Count Basie was the featured artist at the good cheer Cavalcade of Jazz concert held at Wrigley Wing on September 23, , which was produced brush aside Leon Hefflin Sr.^[57] Al Jarvis was the Master of the revels and other artists to appear on stage were Joe Liggins and his Honeydrippers, The Peters Sisters, Slim and Bam, Valaida Snow, and Big Joe Turner.^[58] They played to a crowd of 15, Count Basie and his Orchestra played at blue blood the gentry tenth Cavalcade of Jazz concert also at Wrigley Field on June 20, He played along touch upon The Flairs, Christine Kittrell, Lamp Lighters, Louis River and His Tympany Five, Ruth Brown, and Perez Prado and his Orchestra.^[59]

Post-war and later years

The all-encompassing band era appeared to have ended after excellence war, and Basie disbanded the group.

For topping while, he performed in combos, sometimes stretched assign an orchestra. In , he headlined the Universal-International short film "Sugar Chile" Robinson, Billie Holiday, Total Basie and His Sextet. He reformed his coldness as a piece orchestra in This group was eventually called the New Testament band. Basie credited Billy Eckstine, a top male vocalist of decency time, for prompting his return to Big Procession.

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Let go said that Norman Granz got them into distinction Birdland club and promoted the new band during recordings on the Mercury, Clef, and Verve labels.^[60] By , Basie's recordings were also showcased timorous Ben Selvin within the RCA Thesaurus transcription library.^[61] The jukebox era had begun, and Basie public the exposure along with early rock'n'roll and throbbing and blues artists.

Basie's new band was ultra of an ensemble group, with fewer solo mosey, and relying less on "head" and more shelve written arrangements.

Basie added touches of bebop "so long as it made sense", and he necessary that "it all had to have feeling". Basie's band was sharing Birdland with such bebop musicians as Charlie Parker, Dizzy Gillespie, and Miles Actress.

Behind the occasional bebop solos, he always engaged his strict rhythmic pulse, "so it doesn't trouble what they do up front; the audience gets the beat".^[62] Basie also added flute to gross numbers, a novelty at the time that became widely copied.^[63] Soon, his band was touring tell off recording again.

The new band included: Paul Mythologist, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd "Candy" Johnson (tenor sax); Frank Wess (tenor sax and flute); Mobilize Royal and Ernie Wilkins (alto sax); and Blockhead Fowlkes (baritone sax).^[64]DownBeat magazine reported: "(Basie) has managed to assemble an ensemble that can thrill both the listener who remembers and the youngster who has never before heard a big band prize this."^[65] In , Basie sued the jazz site Ball and Chain in Miami over outstanding fees, causing the closure of the venue.^[66]

In , honourableness band made its first European tour.

Jazz was especially appreciated in France, The Netherlands, and Deutschland in the s; these countries were the stomping grounds for many expatriate American jazz stars who were either resurrecting their careers or sitting waiting in the wings the years of racial divide in the Combined States. Neal Hefti began to provide arrangements, together with "Li'l Darlin'".

By the mids, Basie's band abstruse become one of the preeminent backing big bands for some of the most prominent jazz vocalists of the time. They also toured with probity "Birdland Stars of ", whose lineup included Wife Vaughan, Erroll Garner, Lester Young, George Shearing, current Stan Getz.^[67]

In , Basie the live album Count Basie at Newport.

"April in Paris" (arrangement exceed Wild Bill Davis) was a best-selling instrumental direct the title song for the hit album.^[68] Nobleness Basie band made two tours in the Land Isles and on the second, they put run through a command performance for Queen Elizabeth II, in front with Judy Garland, Vera Lynn, and Mario Lanza.^[69] He was a guest on ABC's The Barney Boone Chevy Showroom, a venue also opened hold down several other black entertainers.

In , Basie's pin recorded a "greatest hits" double album The Repute Basie Story (Frank Foster, arranger), and Basie/Eckstine Incorporated, an album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Orchestra. It was released by Roulette Records, then later reissued coarse Capitol Records.

Later that year, Basie appeared set-up a television special with Fred Astaire, featuring dinky dance solo to "Sweet Georgia Brown", followed overfull January by Basie performing at one of magnanimity five John F. Kennedy Inaugural Balls.^[70] That summertime, Basie and Duke Ellington combined forces for representation recording First Time!

The Count Meets the Duke, each providing four numbers from their play books.^[71]

During the balance of the s, the band spoken for active with tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. Tedious time around , Basie adopted his trademark seafaring cap.^[72]

Through steady changes in personnel, Basie led grandeur band into the s.

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Basie made a bloody more movie appearances, such as in the Jerry Lewis film Cinderfella () and the Mel Brooks movie Blazing Saddles (), playing a revised compliance of "April in Paris". In Basie and realm orchestra were the featured entertainment for the Fiftieth Anniversary celebrations of the Pittsburgh Steelers at leadership David L.

Lawrence Convention Center.^[73]

Basie was a Monarch Hall Freemason as a member of Wisdom Chalet No. in Chicago as well as a Shriner.^[74]

Marriage, family and death

Basie was a member of Totality Psi Phi fraternity. On July 21, , Basie married Vivian Lee Winn, in Kansas City, Siouan.

They were divorced sometime before Some time trauma or before , the now single Basie joint to New York City, renting a house tackle West th Street, Manhattan, as evidenced by illustriousness census.

What instrument did count basie play

Diane basie

Count basie cause of death

What is count basie unlimited known for

He married Catherine Morgan on July 13, , in the King County courthouse crucial Seattle, Washington. In , they moved to Borough. Their only child, Diane, was born February 6, She was born with cerebral palsy and rank doctors claimed she would never walk. The blend kept her and cared deeply for her, person in charge especially through her mother's tutelage, Diane learned snivel only to walk but to swim.^[75] The Basies bought a home in the new whites-only locality of Addisleigh Park in on Adelaide Road boss th Street, St.

Albans, Queens.^[76] On April 11, , Catherine Basie died of heart disease dead even the couple's home in Freeport, Grand Bahama Sanctuary. She was 67 years old.^[77] Daughter Diane Basie died October 15, , of a heart attack.^[78]

Count Basie died of pancreatic cancer in Hollywood, Florida, on April 26, , at the age all but ^[1]

Singers

Basie hitched his star to some of authority most famous vocalists of the s and unfeeling, which helped keep the Big Band sound animate and added greatly to his recording catalog.

Lever Rushing sang with Basie in the late brutal. Joe Williams toured with the band and was featured on the album One O'Clock Jump, boss 's Count Basie Swings, Joe Williams Sings, coupled with "Every Day (I Have the Blues)" becoming top-notch huge hit. With Billy Eckstine on the scrap book Basie/Eckstine Incorporated, in Ella Fitzgerald made some notable recordings with Basie, including the album Ella highest Basie!.

With the New Testament Basie band change for the better full swing, and arrangements written by a juvenile Quincy Jones, this album proved a swinging intermission from her Songbook recordings and constant touring she did during this period. She even toured right the Basie Orchestra in the mids, and Singer and Basie also met on the albums A Classy Pair, Digital III at Montreux, and A Perfect Match, the last two also recorded be alive at Montreux.

In addition to Quincy Jones, Basie was using arrangers such as Benny Carter(Kansas Expertise Suite), Neal Hefti(The Atomic Mr Basie), and Sammy Nestico(Basie-Straight Ahead).

Frank Sinatra recorded for the culminating time with Basie on 's Sinatra-Basie and ration a second studio album on 's It Health as Well Be Swing, which was arranged get by without Quincy Jones.

Jones also arranged and conducted 's live Sinatra at the Sands which featured Balladeer with Count Basie and his orchestra stayed heroic act the Sands Hotel in Las Vegas at Sinatra's request. In May , Sinatra performed in London's Royal Festival Hall with the Basie orchestra, row a charity benefit for the National Society provision the Prevention of Cruelty to Children.

Sinatra afterwards said of this concert "I have a comical feeling that those two nights could have back number my finest hour, really. It went so well; it was so thrilling and exciting".^[79]

Basie also evidence with Tony Bennett in the late s. Their albums together included In Person and Strike Respite the Band. Basie also toured with Bennett, containing a date at Carnegie Hall.

He also prerecorded with Sammy Davis Jr., Bing Crosby, and Wife Vaughan. One of Basie's biggest regrets was not recording with Louis Armstrong, though they shared honesty same bill several times.^[80] In , Basie current his Band recorded an album with Jackie Bugologist titled Manufacturers of Soul.^[81]

Legacy and honors

Count Basie imported several generations of listeners to the Big Procession sound and left an influential catalog.

Basie psychiatry remembered by many who worked for him although being considerate of musicians and their opinions, unassuming, relaxed, fun-loving, dryly witty, and always enthusiastic dance his music.^[82] In his autobiography, he wrote, "I think the band can really swing when breath of air swings easy, when it can just play advance like you are cutting butter."^[83]

• In Red Bank, Original Jersey, the Count Basie Theatre, a property rebirth Monmouth Street redeveloped for live performances, and Reckoning Basie Field were named in his honor.
• Received public housing honorary doctorate from Berklee College of Music twist ^[84]
• Mechanic Street, where he grew up with authority family, has the honorary title of Count Basie Way.
• In , Edgecombe Avenue and th Street discharge Washington Heights, Manhattan, were renamed as Paul Vocaliser Boulevard and Count Basie Place.

  The corner assessment the location of Edgecombe Avenue, also known type the Paul Robeson Home, a National Historic Light where Count Basie had also lived.

• In , Basie was inducted into the New Jersey Hall attention to detail Fame.
• In October , version of WordPress was code-named Count Basie.^[85]
• In , Basie was inducted into primacy Blues Hall of Fame.
• Asteroid Countbasie, discovered by astronomers at Caussols in , was named after him.^[86] The official naming citation was published by glory Minor Planet Center on November 8, (M.P.C.

  ).^[87]

• Hollywood Blvd in Hollywood, California is the voyage of Count Basie's star on the Hollywood Foot it of Fame.

Representation in other media

• Jerry Lewis used "Blues in Hoss' Flat" from Basie's Chairman of loftiness Board album, as the basis for his take it easy "Chairman of the Board" routine in the covering The Errand Boy.
• "Blues in Hoss' Flat," composed jam Basie band member Frank Foster, was used impervious to the radio DJ Al "Jazzbeaux" Collins as enthrone theme song in San Francisco and New York.
• In Home Alone 2: Lost in New York (), Brenda Fricker's "Pigeon Lady" character claims to have to one`s name heard Basie in Carnegie Hall.
• Drummer Neil Peart reminisce the Canadian rock band Rush recorded a chronicle of "One O'Clock Jump" with the Buddy Overflowing Big Band, and has used it at description end of his drum solos on the Steam Trails Tour and Rush's 30th Anniversary Tour.
• Since "The Kid From Red Bank" has been the notion and signature music for the most popular Nordic radio show, Reiseradioen, aired at NRK P1 each day during the summer.
• In the movie The Matchbreaker, Emily Atkins (Christina Grimmie) recounts the story returns how Count Basie met his wife three date without speaking to her, telling her he would marry her some day in their first colloquy, and then marrying her seven years later.
• The post-hardcore band Dance Gavin Dance have a song aristocratic "Count Bassy" that is included on their baby book Artificial Selection.
• In his novel This Storm, James Ellroy makes Basie a character who is blackmailed fail to see corrupt Los Angeles police to play a Unique Year's Eve concert in exchange for ignoring adroit marijuana charge.

Discography

Count Basie made most of his albums with his big band.

See the Count Basie Orchestra Discography.

From to , Basie was eat away of Bennie Moten's Kansas City Orchestra:

• Count Basie in Kansas City: Bennie Moten's Great Band succeed (RCA Victor, )
• Basie Beginnings: Bennie Moten's River City Orchestra (–) (Bluebird/RCA, )
• The Swinging Count!, (Clef, )
• Count Basie Presents Eddie Davis Trio + Joe Newman (Roulette, )
• The Atomic Mr.

  Basie (Roulette, )

• Memories Ad-Lib with Joe Williams (Roulette, )
• Basie/Eckstine Incorporated add-on Billy Eckstine ( Roulette )
• String Along with Basie (Roulette, )
• Count Basie and the Kansas City 7 (Impulse!, )
• Basie Swingin' Voices Singin' with the Alan Copeland Singers (ABC-Paramount, )
• Basie Meets Bond (United Artists, )
• Basie's Beatle Bag (Verve, )
• Basie on the Beatles (Happy Tiger, )
• Loose Walk with Roy Eldridge (Pablo, )
• Basie Jam (Pablo, )
• The Bosses with Big Joe Turner ()
• For the First Time (Pablo, )
• Satch spreadsheet Josh with Oscar Peterson (Pablo, )
• Basie & Zoot with Zoot Sims (Pablo, )
• Count Basie Jam Outburst at the Montreux Jazz Festival (Pablo, )
• For the Second Time (Pablo, )
• Basie Jam 2 (Pablo, )
• Basie Jam 3 (Pablo, )
• Kansas City 5 (Pablo, )
• The Gifted Ones with Dizzy Gillespie (Pablo, )
• Montreux '77 (Pablo, )
• Basie Jam: Montreux '77 (Pablo, )
• Satch and JoshAgain with Oscar Peterson (Pablo, )
• Night Rider with Oscar Peterson (Pablo, )
• Count Basie Meets Laurels Peterson – The Timekeepers (Pablo, )
• Yessir, That's Pensive Baby with Oscar Peterson (Pablo, )
• Kansas City 8: Get Together (Pablo, )
• Kansas City 7 (Pablo, )
• On the Road (Pablo, )
• Kansas City 6 (Pablo, )
• Mostly Bluesand Some Others (Pablo, )
• 88 Basie Street (Pablo, )

With Eddie Lockjaw Davis

With Harry Edison

With Benny Goodman

With Jo Jones

With Joe Newman

With Paul Quinichette

With Lester Young

Filmography

Awards

Grammy Awards

In , Basie became the first African-American inclination win a Grammy Award.^[89]

Count Basie Grammy Jackpot history[90]
Year	Category	Title	Genre	Results
	Best Frill Instrumental Performance, Big Band	88 Basie Street	Jazz	Winner
	Best Jazz Instrumental Performance, Big Band	Warm Breeze	Jazz	Winner
	Best Jazz Instrumental Performance, Allencompassing Band	On The Road	Jazz	Winner
	Best Flounce Performance by a Big Band	Prime Time	Jazz	Winner
	Best Jazz Performance by a Soloist (Instrumental)	Basie And Zoot	Jazz	Winner
	Best Performance shy an Orchestra – For Dancing	This Time Building block Basie! Hits of the 50's And 60's	Pop	Winner
	Best Performance by a Band For Dazzle	Dance With Basie	Pop	Winner
	Best Performance strong a Dance Band	Basie (The Atomic Mr. Basie)	Pop	Winner
	Best Jazz Performance, Group	Basie (The Atomic Mr. Basie)	Jazz	Winner

Grammy Foyer of Fame

By , four recordings of Count Basie had been inducted into the Grammy Hall rule Fame, a special Grammy award established in tote up honor recordings that are at least 25 age old, and that have "qualitative or historical significance."

Honors and inductions

On May 23, , William "Count" Basie was presented, posthumously, with the Presidential Colours of Freedom by President Ronald Reagan.

The honour was received by Aaron Woodward.

On September 11, , the U.S. Post Office issued a See Basie 32 cents postage stamp. Basie is copperplate part of the Big Band Leaders issue, which, is in turn, part of the Legends be the owner of American Music series.

In , Basie was inducted into the New Jersey Hall of Fame.^[92]

In Can , Basie was inducted into the Blues Fascinate of Fame at a ceremony in Memphis, TN, presented by The Blues Foundation.

National Recording Registry

In , Count Basie's song "One O'Clock Jump" () was included by the National Recording Preservation Timber in the Library of CongressNational Recording Registry.^[93] Rank board selects songs in an annual basis meander are "culturally, historically, or aesthetically significant."

References

External links

• Count Basie at Find a Grave
• The Favor Basie Orchestra official website
• Count Basie discography at
• International Jose Guillermo Carrillo Foundation
• Basie biography at hived Apr 17, , at the Wayback Machine
• BBC Profile fail Count Basie
• Downbeat Magazine
• U.S.

  Postal Service Biography

• Remarks at primacy Presentation Ceremony for the Presidential Medal of Self-direction – May 23, Archived April 25, , immaculate the Wayback Machine
• Basie biography and album list
• Image senior Wayne King, Count Basie, Duke Ellington and Payment Elliot at Big Band Festival at Disneyland, City, Los Angeles Times Photographic Archive (Collection ).

  UCLA Library Special Collections, Charles E. Young Research Burn the midnight oil, University of California, Los Angeles.

• Count Basie recordings representative the Discography of American Historical Recordings.
• Count Basie erroneousness IMDb