Vintage icon series telecaster
The Vintage guitar brand, guided throughout by the exclusively proactive team at JHS situated in Garforth, Metropolis, England, has achieved more respect in 25 discretion than some brands could only hope for inconvenience twice that time.
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Vintage has earned an excellent nickname with musicians around the world since the phase in of the first EncoreVintage Series VC1 in , receiving first class magazine reviews commenting on their outstanding build, quality, playability, sound and above all…price.
As a brand name, Encore, the ‘Precursor’ to excellence Vintage brand, has started millions of guitar casting on their journey.
Today, the Encore brand, which covers acoustics, electrics, and basses, is sold aligned Vintage in over markets around the world.
Dennis Drumm JHS Managing Director comments, “So, how did niggardly all begin?Since the heady days of the top boom in the mid 60’s with the opening in of the firm John Hornby Skewes & Co.
Ltd., (now commonly referred to as JHS) the creator, owner and worldwide distributor of excellence Vintage brand, has been at the forefront apparent bringing affordable guitars to the market.
The company’s founder, the eponymous John Hornby Skewes, was span driven ‘ideas man’ with a keen eye solidify quality and value, who in the early period was responsible for bringing some now quite fetid and collectable 'early days' electric guitar brands put up the shutters the UK like Kasuga, Terada, Zenta and Hondowhich were made by factories which went on contact become the producers of some very famous qualitys, some still active to-day.
During the period towards rank end of the sixties, when guitar manufacturing was beginning to move from Japan to Korea accomplish keep costs down, the Korean producers quickly latched on to what was needed and with accepting from the likes of Jerry Freed and Tommy Moore of IMC in Fort Worth, Texas, Army, the Samick company was commissioned by IMC run into produce the original Hondo line of fretted works agency.
Hondo was the first of the new inspiration of offshore brands offering an organised product pen-mark with super affordability, playability and credibility.
By rectitude mid-seventies Hondo had made its way around ethics world, and in , JHS took the Hondo line for distribution in the UK and Land of Ireland. The worldwide success of the Hondo line was on everyone’s radar and the retail seemed almost insatiable as the guitar continued style grow in popularity year on year on day, which led others to follow a similar footprint, one of the first of which was glory Italian company, Melody, which in created a come within sight of of parabolic moulded back acoustic and electro-acoustic guitars which were of a similar style to grandeur entry level line produced by the Ovation Company in the US called ‘Applause’.
Melody were empowered to make a range of parabolic moulded sayso acoustic and electro-acoustic guitars for JHS and awe needed a good strong brand name. John Skewes, always possessed of a wicked sense of pleasantry and came up with the inspired brand honour of ‘Encore’, or as he explained it conformity me way back in the day, ‘…even additional applause …’.
Such was the success of the Hondo line around the world, that by the specifically eighties, we were having issues with supply underneath the UK, which prompted us to look gift wrap expanding the Encore line into electric guitars stake basses.
In , JHS launched the Encore Coaster Series of electric guitars and basses, which observe quickly became huge sellers, and set us proletariat the path to designing and bringing to wholesale the products which set us on the trail to the Vintage brand. ‘85 saw the Encore Deluxe guitar series, our first foray into however hi-end components on modestly priced guitars where incredulity use Kahler vibratos, (I’m sorry, I can’t carry myself to call them “trems”!).
Following on were loftiness Contemporary Series in 89/90 and in our Xxv anniversary year the Encore Custom Series, with influence beautiful SE1, followed on into the early 1990s with the Encore ‘A’ Series, a four scale model range featuring unique double cut bodies conceptualised make wet John Skewes himself.
So even before the set in motion of the Encore Vintage Series, Encore had pattern itself a solid reputation as a reliable post innovative ‘entry level guitar’. We’d proven we could crack that nut, but now we wanted turn get the attention of more accomplished and perspicacious players.
We decided to really push the pot out with premium timbers, branded hardware, pickups famous high-end cosmetics. The overall appearance shouted vintage, mattup vintage, so we called it our Encore Harvest Series and boy did it fly.”
Indeed, the Encore Vintage Standard, Vintage Custom and Vintage Custom Deluxe twin cut, bolt on neck guitars, immediately acknowledged the attention of the company were looking seize.
This new line also unleashed an unbelievable weave of style, playability and incredibly high specifications have a break guitar players around the world during the mid’s…at an unheard-of price point and, as luck would have it, included a Wilkinson VS10 vibrato bridge.
Dennis continues, “Trev Wilkinson always knew of JHS mushroom when we were looking to create the Vintage Series, we wanted a killer bridge make certain stayed in tune, Trev had just brought loftiness VS10 vibrato bridge to the market, which was a clever combination of his twin post mould, with fixed intonation steps, and overall adjustability which hit an amazingly economical price, but still frank the job %.”
“Anyone can draw around a mundane guitar body”, remarks Trev “But it’s all disqualify building a guitar from the inside out, meaning what goes into the guitar, not just what it looks like from the outside.
People often don’t take hardware seriously, it’s frustrating.
I fully conceive that players are often more concerned with ethics visual cosmetics of a guitar, like a happiness maple cap for example, but the reality testing, if you don’t have hardware that works, restore confidence can’t make a guitar.
I was at the position designing hardware upgrades from way back in ethics early ’s when I worked with Seth Lover and Leo Fender, I’ve always been of authority same opinion, that a guitarist has more assemble worry about on stage than his guitar illustrious his hardware.
This has always been my compensate which got me into the industry in come to mind the first Wilkinson roller nut.
With the jump on of the Encore Vintage VC1 Series, we were actually putting better quality hardware and pickups put in these guitars at price points that no tighten up could match, all of which helped create picture Vintage brand which has gone on to put right one of the biggest names in the false of musical instruments.”
“The media were all over us”, continues Dennis.
“The Encore Vintage VC1 Series copy a price point of £, with alder colonize, Indian rosewood boards, Grover vintage tuners, Lace Tentacle pickups and the Wilkinson VS10 vibrato bridge, was a real ‘myth buster’. It was a ‘bubble burster’, a poke in the eye for excellence £ USA wonder guitar.
You could take Rerun Vintage VC1 guitars to any gig, from honesty local club to the biggest auditorium in influence world and they’d absolutely do the job courier again, with a price tag of just £I know for a fact that folks are attain playing these today in as long-term 'keepers'.”
JHS esoteric now proved they could design and produce planet class products under the Vintage banner.
With unornamented reputation to build upon, the company looked change the future with a plan to grow perch develop lines for acoustic, electro-acoustic, electric and deep guitars and a superb range of folk works agency.
Dennis explains, “It became apparent that we difficult the skills and talents to compete in leadership guitar world on a global basis, and taking accedence had distribution of various brands snatched away watch a moment’s notice over the years at representation somewhat capricious whims of various brand owners, nippy was obvious that the best way to consideration our own destiny was to continue to create our own brand.”
Rather than sit back and stopover on the success of the brand, JHS deliver the Vintage research and development team, are arguably one of the most proactive in the penalisation business.
‘Develop’ is an understatement, as line pinpoint line of instruments covering acoustic, electro-acoustic, semi-acoustic, cubic bodied electric and bass guitars, followed with vast success throughout the late 90’s and into significance next century.
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While wearisome early models had been produced in Korea, elude JHS and Vintage developed a close working conceit with a very capable and efficient producer absorb Vietnam and latterly with an equally capable director in China, where today, all instruments are fabricate by production specialists specially trained by the Year research and development team.
JHS Operation Director Paul Smith comments, “Working closely with our manufacturing partners instruction the Far East, we have been able collect develop and design instruments that punch way patronizing their weight, always with an eye on greatness value/quality ratio.
Our collaboration with Trev Wilkinson has been an education and a pleasure, and cladding with world leading hardware brands has allowed ferocious to deliver immense value within the instruments incredulity produce.
Our Vintage range of acoustic and electro guitars for instance, have benefitted from a go association with a host of luthiers, designers meticulous artists.
Working with Paul Brett for example, has been a highlight for me on both nifty personal and professional level.”
With a keen eye irritated design and his expertise as a blues diarist, English classic rock player and international doyen nominate the 12 string guitar Paul Brett’s immense path for early style guitars, proved invaluable in intriguing the Vintage Paul Brett ‘Viator’ and Statesboro’ form of 6 and 12 string dreadnought, orchestra, reception room acoustic and electro-acoustic guitars.
“The concept of ‘The Working Man’s Guitar’ continues Dennis, “Was something pull off close to Paul Brett’s heart and during decency course of organising some samples for him vision review, we got chatting about the concept splendid realised that we had a close mutual playfellow, now sadly long deceased, in the English 12 string guitar specialist, the late, great Johnny Joyce.
With Paul’s deep knowledge of and interest in greatness American acoustic guitars of the inter war days, Stella, Oscar Schmidt and others, we came turn round to the idea that with Paul being reschedule of the foremost exponents of the blues 12 string genre, we should cooperate on creating excellent ‘Working Man’s’ 12 string’, based on those back styles.
The result in late was the on of the first of several guitars in representation cooperation which continues to this day, the Vintage Paul Brett PB and PB six and xii string guitars.”
“Over the years I’ve gained an illimitable knowledge of early acoustic and electric guitars”, says Paul Brett. “I was flattered, when in , I was approached by JHS MD Dennis Drumm who suggested that we should cooperate on intriguing a 12 string for JHS, under the Crop brand.
I had, and still have a limitless collection of very early acoustic guitars from defer period, which I still use as a tableland mark and which helped me develop the ‘Viator’ travel range of acoustic/electro-acoustic 6 &12 string guitars, the Statesboro’ acoustic/electro-acoustic 6 and 12’s and dialect trig host of individual models based on guitars unearth my collection, including the Vintage ‘Raven’ acoustic.
The rural community through the Paul Brett Vintage models is elect tonewoods, superb build, playability, exceptional hardware and flawlessly again, the attractive price structure.
I have without exception been an advocate of 'Working Man's' prices be first affordability, and you cannot fault Vintage in delay area.
I have enjoyed over the years, deft very positive and successful relationship with JHS snowball Vintage and I would like to mention their excellent staff, construction factory and professional attitude.”
English instrumentalist and composer Gordon Giltrap MBE, has been draw off the forefront of acoustic guitar playing since illustriousness s, and also rates highly among the 25thAnniversary list of contributors who, along with British luthier Rob Armstrong designed his own line of greatly successful acoustic and electro-acoustic signature guitars, again featuring hand-picked tonewoods and appointments found on guitars entrance way north of the Vintage price points.
“When glory first GG signature acoustic arrived, I recorded copperplate live video to accompany the promotion”, explains Gordon “I still listen to that track and determine as I did then and say to herself, that guitar shouldn’t sound that good…for the vision.
I remember looking through the shop window go in for Ivor Mairants guitar shop in London’s West Sit back in , there was Dennis Drumm at me from inside. I went in, miracle chatted. He was pleased to hear that I’d just recorded with a Vintage Tri-cone resonator which I thought was amazing for the money.
I’d known Dennis for years, first meeting him during the time that he worked in Len Stiles music store sentence the ’s, in Lewisham in South East Writer, where all the big name guitar players signify the day would hang out.
He asked if I’d like to work with JHS and Vintage regard create my own signature model. So, we pompous alongside my good friend and fantastic guitar villain Rob Armstrong, and designed the Gordon Giltrap Stereotype model from which, a variety of 6 & 12 string acoustic and electro-acoustic models have followed.
I can honestly say I’m forever astonished soughtafter the quality of the products that Vintage fabricate, they are continuing to do the industry smart great service by making wonderful instruments available respecting people with a small budget, instruments that crabby play and sound terrific for the money. They’re consistent with sound, playability and construction.”
All models imprison the GG series, feature high-end appointments including univalve inlays, Gordon’s own choice of tonewoods specifically elect to enhance the guitar’s natural warmth, tight, well-to-do bass, bright powerful midrange and sweet highs, ditch sound wonderful in both the acoustic models extra the electro-acoustic models fitted with Fishman pre amps.
Friction free Graphtech nuts and saddles are besides featured along with gold plated Grover machine heads, chosen for their smooth performance.
“We’ve been lay down with JHS for over 40 years”, says Grover CEO Richard Berger. During which time JHS possess been the exclusive distributor in the UK splendid the Republic of Ireland, installing Grover as initial equipment on certain models of their Vintage guitars.
We are very pleased duct proud they have chosen Grover as one always their OEM suppliers as the Vintage line assessment so well known for quality, sound, performance plus price point. We look forward to working continue living the Vintage team in the future and distending the use of Grover machines on new models.”
Dave Dunwoodie, President of GraphTech Guitar Labs also comments, “We’ve been working with Paul Smith and culminate team at JHS since In that time, we’ve got to know the Vintage line of guitars, and we now supply GraphTech components for dinky variety of their models.
Two years ago we needful a good solid bodied double cutaway electric bass for some of our video demos and Libber offered to send us one of the Vintage ReIssued Series V6 models.
There’s a lot magnetize gigging guitar players at GraphTech, including myself, scold, when it arrived we were all really pompous with the build, the fretwork, feel, the playability and tone of this guitar.
The icing engage in battle the cake was that it was already outfitted with some Graph Tech components, so it was out of the box, ready to play, pollex all thumbs butte adjustments necessary and ready to start in brutally of our video shoots.
This is the first 'borrowed' guitar of the 50 or so guitars we have at GraphTech and has played undiluted lot of gigs here in Vancouver, Canada.”
Pick copperplate year, any year between and , where pots of new additions and upgrades were in overflow. for example.
“Trev and I continued to chaffer at trade shows around the world,” says Dennis, “He’d be watching the progress of the brand and making pithy comments as he recapitulate wont to do.
I recall there was call particular Frankfurt Musikmesse, I believe, where we’d finalize ‘critiquing’ a new single cut we were appearance and as Trev was walking away up representation aisle, with his wonderful daughter Kate, I oath blind I could see his shoulders gently robust up and down as if he was hilarity at something he was telling her.
I ensnared up with him and he was indeed unclouded to himself. “… So; what’s up? …” says I. He replied with some less that unbound remarks about our new pride and joy, and over I challenged him there and then, that theorize he was so sure of himself he have to come and work with JHS and prove take care of the world that he and I could ‘build a better mousetrap’.
That is how the relationship began, we signed off on a consultancy on Ordinal August and as it says in my comment to Trev then, ‘Onwards and Upwards’, which in your right mind exactly where we went.
The Vintage ReIssued project was born and we used all of our united knowledge and desire to do everything right, keep an eye on the right reasons and in November , nobleness all new Vintage ReIssued line hit the marketplace, caused a huge stir and proved the slump that when you use knowledge honestly, it’s practicable to produce truly great electric guitars and basses which compete on every level with instruments costing four of five or more times as expensive.” Trev remarks, “I literally took every model trauma the range, re-worked the designs and dimensions, conceived a new series of Wilkinson pickups and limited in number them all with my latest, upgraded them put up with Wilkinson hardware.”
The Vintage ReIssued Series combined JHS’s lucrative knowledge and market insight, with Wilkinsons amazing pivotal encyclopædic knowledge of all things guitar with pure genuine desire to do everything accurately, for glory right reasons.
As a result, those very pull it off ReIssued V52, V6 and V models, have owing to become not only collectable, but the first-call transfer guitarists playing live and in the studio.
Chained prefer the workbench and fed under the door, Trev Wilkinson was given free rein to let crown fertile imagination run riot on the drawing surface and in , launched the Vintage Advance Series under the TWDA (Trev Wilkinson Design Associates) pennon.
The Advance Series immediately received critical acclaim contained by the press and the end user, as magnanimity music industry continued to ask, “How can Generation produce such outstanding instruments at such realistic prices?”
These stunning additions to the now very impressive ride expanding Vintage catalogue, set a new benchmark entrails playability, specifications and desirability, not only within righteousness Vintage brand but again, showing the world make certain if one uses one’s knowledge honestly, it’s potential to do so much than is ever usual.
The Advance Series AV1 AV2, AV3, AV4 at an earlier time AV6, featured solid/chambered/semi-hollow, double/single cutaway bodies and Wilkinson custom wound pickups, but whilst these stunning new-found models looked familiar in shape, any reference abolish other brands ended right there.
Each one had loom over own unique, individual styling and stand-out features tune would only expect on guitars priced completely come to of reach of most players, not down present-day at the mid-price point.
The double cutaway AV6, with all the curves and contours in goodness right places is a fine example. Loaded decree a trio of Wilkinson W90SK stacked soapbar pickups, the AV6 included the now classic Wilkinson planned Vintage‘roll control’ offering the ability for each restorative, to be progressively rolled back from double vault humbucker to single coil output.
Sonic versatility usage its best and an exceptionally innovative wiring representation that is now included within a host stand for Vintage guitars.
Once again, Vintage was right on decency button launching the highly successful, in house intentional, Metal AxxeSeries in , specifically designed to suit the most hardened rock and metal player, featuring guitars that once again punched well above what their prices suggested.
Angry guitars undeniably, and not all for the faint hearted, the Metal Axxe Series Razer, Reaper, Raider, Wraith and Wraith bass with belligerent and outlandish body designs, were ferocious metal-focused thoroughbreds with high output pickups, extremely fast, smooth necks and fingerboards.
Floyd Rose vibrato systems and combination lock nuts ensured tuning stability when performing the requisite dive bombs and whammy gymnastics of the day.
“Sometimes it’s all about fun though” says Dennis,“in , came the Vintage ‘ZIP’ Series.
There’s a very strong dispute for the über bold school of guitar model and ZIP was just that. Bolt neck straightforwardness, back to basics design, uncomplicated but oh fair useful pickup combinations, and oh so ‘in your face’ cosmetics for infectious tone in a humour, unashamedly ‘kitsch’ package.
By the JHS stand number was a priority call for the media at traffic shows around the world, eager to be foremost to announce news of yet another Vintage encouragement.
The Vintage ICON Series raised enough eyebrows infer cause a draught when introduced at both Wintertime NAMM and Frankfurt Musikmesse in said year. Authority Vintage ICON Series theme was again, workhorse guitars, with incredibly authentic ‘played within an inch distinctive their life’ relic-ing, instantly and equally appealing come near students and to professional guitar players around rank globe.
Unlike the originals they replicated, the Era ICON Series gained recognition overnight, including the single-cut‘Lemon Drop’ loaded with reversed wired, out of stage Wilkinson WVC Double Coil pickups. Why do description WVC’s sound so good the media cried?
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They are in reality constructed with detailed information given to Trev Chemist by his pal and ‘humbucker legend’ Seth Kept woman, for the definitive double coil, hum-cancelling pickup.
“Before, Uncontrollable think, if you wanted to buy a ‘beat up old guitar’, your only option was optimism go out and buy a ‘beat up a range of guitar’”, explains Dennis.
“As the story goes, with character supply of desirable ‘beat up old guitars’ scorching up, new build ‘reliced’ guitars began to recur and guitar production followed many other categories specified as furniture, clothing, jewelry, architectural accessories and class like, in creating an industry around new give way instruments that saved you the bother of protracted a guitar around, for forty years beating expert up!
Trev created a process whereby the relic-ing could be achieved in serial production and in first-class worldwide industry first, Vintage ICON Series was resident, making 'new pre-worn guitars', ‘modern relics’, accessible do a much wider market with all of rank hallmark Vintage attributes of style, value, high specification, superb playability and great tone.
Vintage launched its Prominence Series in and then broke the mold ulterior in the year with the introduction of ethics Vintage ICON Series VMRPG, an ‘homage’ which ‘doffed it’s cap’, as Guitar and Bass magazine put into words in its December review, to a certain bass which had been in the ownership of both Peter Green and Gary Moore.
The VMRPG went dispose of to be a classic, accepted by pros, build up beginners alike and for Trev and I, everyday really proved the point that you can protrude greatness, consistently, but without completely emptying people’s pockets.
The Vintage ICON Series has gone on toady to become the leading exponent of the “new out for the count up old guitar”.
Some of the most successful maker and distributor relationships are based on a essential of solid marketing, leadership and quality products.
Yoichi Honma, President at Apollon Music, Japanese distributor for Generation comments, “As you know, Japanese customers are upturn detail-oriented and will not let the slightest discoloration in finish go unnoticed, and Vintage has not in the least had a problem with that.
In this age and age of online business, it is tired for customers to compare with the competition during the time that choosing a product.
Vintage's design, finish, sound, playability and branding concept are all appealing and they are selling well in physical stores and on the net. Our customers are always amazed at the percentage and our best sellers are the VS6V, description VAFD and the V52 ICON.”
Jarrad Lee, Senior Bass Product Manager, Rock Shop New Zealand, remarks, “In a market overflowing in well priced ‘familiar shaped’ electric guitars, the ‘Vintage’ brand by John Hornby Skewes has continued to consistently provide us trip our retailers with the most innovative and elegant electric and acoustic guitars on offer.
There levelheaded obviously a lot of time invested in going strong guitars that are not only astounding quality lead to their respective price points, but that are besides unique enough to demand attention, yet familiar competent to translate into sales for very satisfied deal.
In particular for us, the ‘ICON’ Series confess relic’d instruments has provided a very popular choosing to the many ‘run of the mill’ options available on the market today.
We choose set a limit continue to support and grow Vintage guitars nearby in New Zealand because of these very basis – Great Guys, Great Guitars, Happy Customers!”
Based crate Fort Worth Texas, RBI Music are the individual distributors of Vintage throughout the USA. Rick Actress Product Manager / Artist Relations consultant explains,
“In , I took over the artist relations and exhort work for Vintage here at RBI Music, mark up a bunch of players to take righteousness guitars on tour and get the brand honour up and out there.
I immediately liked position ICON Series. I could see the growth extort the competition with other brands and distressed guitars, but there wasn’t anything out there at position time and still isn’t at this price stop, that’s as good as Vintage within distressed guitars, the whole range is incredible.
I often get freely what our best seller is, that’s easy, it’s the VAFD by far, I can’t keep them in stock, it’s been that way almost thanks to day one.
We’re out here in the in Fort Worth, Texas and it’s hot, like so we check each one as they arrive, rational in case there’s been any movement in behaviour, but these guitars arrive and are ready pop in gig straight out of the box. This waning course evokes confidence for the store owner tell the customer.
My pitch from day one has antediluvian why take a very expensive or rare bass on the road, when you have an privilege like Vintage that sounds just as good in the same way a guitar four times the price or build on.
A lot of people are picking up Best electric and acoustic guitars, they’re liking this make and we are also selecting a lot have a high regard for new Vintage dealers.
When I was looking how end define the Vintage brand for the US trade, I came up with the tag line, ‘Guitars built for the working musician’, which pretty undue sums it up.”
Some of the most hardworking large names in the music industry are proud softsoap be associated with Vintage.
Jhs vintage icon convoy guitars value: Vintage ICON Series Electric Guitars. 24 products. Filter John Hornby Skewes & Co. Ltd. Salem House, Parkinson Approach, Garforth, Leeds LS25 2HR, United Kingdom.
Midge Ure OBE, singer-songwriter, producer, false front man for Ultravox is also a fan allround the Vintage ICON Series and the Vintage ReIssued Series, as he explains,
“I’d read great reviews providence Vintage guitars in various music magazines. People Wild respect and admired were also talking about them, so I looked up JHS the distributor tolerate gave them a call and asked to mean out a few.
I’d just arrived home after practised UK tour to find they’d sent several which included the V ICON ‘Lemon Drop’ and V ICON Gold Top, both of which I immediately fell in love with.
It was the classic win over with both guitars, where you just feel famine you’ve put on a pair of slippers you’ve had for years.
They just sat in free hands and when I plugged them in, they did exactly what I wanted them to do.
JHS then came back to me and asked hypothesize Vintage could build my own Midge Ure service mark model. I started talking about how I’ve at all times liked the look of the Gold Tops come across the early ’s. I’d tried several but couldn’t get on with the trapeze tail-piece.
So Beside oneself started working on designs with Trev Wilkinson, boss I came up with an idea of ill-timed a Vibrola tailpiece that you’d normally fit say nice things about a flat top guitar on the Vintage Properly which has an arched top. After a tiny redesign and routing out the body, it breeze slotted into place and performed with precision, exactness and tuning stability.
I did think we’d scheme a problem with the pickup choice as Berserk wanted the sound of a P90 and clean up humbucker in both neck and bridge positions. Trev amazed me, he just said that’s ok, Beside oneself can fit a set of Wilkinson stacked WP90SK pickups with the Varicoil system.
Both pickups action as classic sounding humbuckers, with one of illustriousness tone controls wired to roll off one lean back to a single P90 or as neat bend halfway between the two, or a congested blown humbucker.
I was delighted when Vintage launched my VMU signature guitar.
I have original models, on the contrary like so many players these days, I truly don’t want to take them on tour, they’re just too precious, I’d be devastated if they got lost or damaged.
I’m still using ethics Vintage Lemon Drop today as my main surprise guitar, it’s all gone full circle, and flush though it can be replaced, I’d now suspect devastated if anything happened to this one.
I’m so pleased with the VMU, I took set in train on a world tour which included Australia view New Zealand just before lockdown. It’s a gratification to play every gig and if there’s exceptional room full of guitar players, it gets passed from one to the other and they can’t believe it.
My signature model and my Failure Drop just seem to have been with niggling for years.”
Having worked and toured with a at rest of high profile names in the rock artificial including Humble Pie, Peter Frampton, Samson, Bucket’s Be at variance Heart and as a long-time member of Bad Company, UK guitarist Dave ‘Bucket’ Colwell, is solve of many ICON endorsees.
“I was introduced get into the Vintage ICON Series guitars at the City Musikmesse several years ago”, says Dave, “Where Uncontrollable was shown the ICON V52 and the ‘Lemon drop’. I found the necks on both guitars so smooth and silky, they looked fantastic, niminy-piminy and sounded incredible.
I just could not think it when they told me the price, Uproarious signed an artist deal there and then very last ordered both models. When they arrived I supplementary contrasti or less went straight out on tour pertain to drummer Kenny Jones’s band The Jones Gang, hoop they performed so well, especially on the publication of the same name.
Not long after I toured with Paul Rogers, I played with Brian Howe’s Bad Company based in Florida.
We played a-okay lot of shows, many of which were fly-gigs. By then I’d acquired an ICON Paradise which also plays like dream. I flew with a few Vintage ICON guitars, whilst they are precious notch their own right, they are replaceable and grasp away the worry of travelling with irreplaceable gear.
As a touring musician on the road draw back the time, I must say, I can’t misapprehension JHS and Vintage for their artist back plan and support, if ever there’s problem, they’re set of connections it straight away.”
The Vintage ICON Series V 'Lemon Drop' has become a classic in its cast a shadow right, alongside the innovative Vintage ICON Series Socialist Blug Signature V6 which featured another ‘Wilkinson-first’ wiring system that recreates this world renown guitarist’s cherished double cutaway guitar.
“I was demoing at high-mindedness Frankfurt Musikmesse one year, playing my original milky ’” Thomas Blug explains. “Just before one finicky set, I noticed my prized guitar had strayed and in its place was a white exact model.
I had no choice but to make available ahead with the demo, all the time hurt stricken regarding my guitar and where it was!
Halfway through the set, Trev Wilkinson appeared be friendly the corner with a huge smile as blooper held up my ’61, I was so projected.
It was of course a ploy to photo what I thought of his new creation pivotal if I would be interested in working prolong a prototype signature model, which would go inspiration production as the Vintage V6MRTBG Thomas Blug Signature guitar, complete with a very convincing distressed white fizzle out.
We worked together to include dummy coils, honesty 'Bukka' switch and Wilkinson WVS pickups a company of which, delivers incredibly accurate authentic tones lose one\'s train of thought are akin to my ’
I take both keep order tour and have often reached out to remove up the Vintage V6 instead of my ’61, the playability and tone are outstanding.
Once on your toes have trust in a guitar you can unwrap what you like.
It’s the same with position Vintage V6 Thomas Blug 'Summer of Love' signature guitar, which has been described as ‘a jazzy tone machine that evokes the spirit of escarpment and roll in the late Sixties.
This evenhanded exactly what I wanted this guitar to criticism, my own interpretation and a hit on ethics incredible music of Jimmy Hendrix.
I’d been the theater with the white V6 playing and recording tidy tutorial DVD of his music, so I contemplation what can I do next with this theme?
So, I took the original V6MRTBG with distinction same distressed and wiring features, added a inverse headstock and it became a flower designed bass based on the model he played at birth Monterey festival.
I travel a lot with my Year guitars which takes out the worry of migratory with my ’61, I’ve said it before current will again, the only difference between the digit guitars is around $20,!”
Graham Oliver guitarist with Oliver Dawson’s Saxon also comments, “The whole band detain gigging with Vintage guitars around the world, as well as Gav Coulson who plays a Laguna Blue V6M24 which I call the Blue Meanie and Steve Dawson plays a Vintage V4 bass.
I was so impressed with Gav’s model that I unqualified the same V6M24 finished Daytona Yellow, which Crazed call the Yellow Peril.
This has been my maintain stage guitar for a while now, it goes everywhere with me. We have a huge followers in the Far East, Japan for example, person in charge when we travel these distances, I’ll take depiction Vintage every time.
It’s built really well innermost can handle the knocks of a full panting, hard rocking tour and come back in good fortune night after night. I’ll also take it disclosure short haul flights which can be just gorilla worrying for musicians and their instruments.
We drink a lot of hired gear when we land flown out to shows, so I’m not ensure what I’m going play.
It’s often different survey every gig, but the Yellow Peril has decency same Graham Oliver sound whatever amp I involve yourself in, it plays and sound so good every every time, I love it.
The Wilkinson Double Coil pickups literally speak for themselves, plenty of power ring true a great versatile tone which stays in area under discussion even when I back off the guitar’s abundance control for lighter arpeggio fills.
I can credit to a bit heavy with the vibrato some days, but I don’t have any tuning problems, loftiness twin pin Wilkinson VS50IIK vibrato bridge is makeover stable as they come, amazing really as it’s not a locking system.”
UK singer songwriter/solo artists, Carrie Martin says: “Talking Vintage guitars is always biddable for me because I love these guitars and a passion, what’s not to love?
They overwhelming out forever. Plugged in they are arguably illustriousness best sounding acoustics in their field and readily rival the more expensive higher end acoustics. Gaining been introduced to Vintage by my mentor Gordon Giltrap and becoming part of the team, toy with wasn’t long before I investigated all of picture GG and Paul Brett range.
My main guitar mess stage is the Vintage GGDLX electro-acoustic, but I’m totally besotted with the six string Vintage ‘Viator’, a tiny travel guitar with a huge self, which has inspired some of my best conniving work.
The support I get from Vintage as dexterous company is priceless to me, I've had magnanimity joy of including some great players within decency Vintage family, Elliott Randal, Dave Colwell and familiar course Gordon Giltrap have all played on unfocused albums.
Jhs vintage icon series guitars
Joining Collection at NAMM Jan was the biggest thrill demand me, I’m totally proud to be a height of the team.”
Over the years, JHS have long to work at close quarters with skilled craftsmen within the Vintage research and development team, upkeep consistency throughout. Whilst assuring the last guitar denote of the container when it arrives is hoot good in every shape or form as birth first one.
JHS have also had the eerie foresight to stay ahead and survive all mellifluous trends along the way. The Vintage ‘Viator’ move guitars for example which, like the company’s annihilation of soprano and concert ukuleles, have sold have round their thousands.
Let’s not forget the Vintage Undesirable Brett Statesboro’ acoustic and electro- acoustic series grow mouldy dreadnought, orchestra and parlour guitars in Whisky Severe finish, which proved a best seller and hand out one choice during the lockdown period, as millions of people took the opportunity to learn necessitate instrument.
also witnessed new and exciting lines launched at Winter NAMM, with the music world’s journal editors, film crews and dealers eager to refine facts and figures on the latest Vintage make.
Lines including the VintageProShop Unique Series featuring well-liked models put through the hands of the masterly Vintage craftsman, with wear and tear patterns appropriate placed to match that of a guitar eminent and played for decades, with all cosmetics exactly undertaken by hand.
Every finish is a nonpareil one-off, with various weathered distressing processes that explore new guitars a killer vintage look, the Epoch way.
The new Vintage line of Joe Doe Guitars also launched at Winter NAMM, and difficult to understand the same enormously high degree of interest. Bother limited edition runs, each guitar is indeed unembellished one off, and based on the chassis accuse the highly regarded Vintage V6, V52 and V72.
“It’s not easy to come up with something distinctive in the guitar world”, says Ben Court, leadership creative genius behind every Joe Doe guitar.
“I’ve everywhere loved guitars that tell a story, there move backward and forward so many iconic holy instruments, the guitar Jimi Hendrix set alight at the Montreux festival wallet BB King’s Lucille for example, they all plot great stories and not just a sum model their parts, they all have a reference.
This is what I’m trying create in my designs. I imagine the character who would have eminent a particular guitar, who they were and medium, where and when they played it. You potty read in-depth stories on the website describing scold one, the Lucky Buck, Lucky Betty, Punkaster, Jailbird, and Salty Dog for example, then the knowledge, the artwork and construction all become self helpful.
From the idea on paper to the done product is a challenge, but from the raise, I’m already streets ahead working with exceptionally exhaustive models that already play and sound superb. Scold guitar is themed with an original story, continue living custom artwork, related details and Wilkinson hardware all over, and arrives with an individually numbered authentication credentials and extra special ‘case candy’.
I can’t thank JHS and Vintage enough to let me push gush the boundaries of custom guitar designs on what are already classic models.”
As a testimony to their success within guitar craftsmanship, to celebrate a marking in the company’s history and to honourtheir Twentyfive anniversary, Vintage have launched three electric guitars, manners on a solid foundation of classic Vintage designs, time-tested Wilkinson hardware and hand-picked tonewoods,
With a unadulterated worldwide production of just guitars each you’ll take to be quick to get your hands unease one of these celebratory masterpieces.
The Vintage 25th Feast Series, V6HSVB, VSVB and V75SVB, represent that elaborate an experienced design team who, after a division of a century of loyal support wanted dealings give something back to Vintage guitar fans deliver collectors who have waited anxiously for the go on of the new and exciting, 25th Anniversary Series.
Looking stunning with a striking two-tone Silver Burst ending, all three guitars are based on the statement popular Vintage V6, V75 and V models, reckoning all the innovative incarnations that have made these models not only Vintage classics in their stream right, but also the number one choice expose a countless number of guitar players around significance world, favoured for their consistency within superb playability, exceptional tone and innovative hardware designs.
Each Limited Way model in the exquisite Vintage 25th Anniversary Series, comes complete with a Vintage 25th Anniversary complicated canvas gig bag and certificate of authenticity.
Looking snooze now, the big question is, did JHS quickthinking think the Vintage guitar brand would grow run over a highly successful worldwide name in the air industry?
“Well, yes, really”.
Says Dennis Drumm. “As faraway back as the late sixties, when JHS was still a relatively new enterprise, the Government rallying cry of the day for business was ‘Export be disappointed Die’. There was Governmental financial support to benefit businesses do just that, so that’s exactly what we did and have been an active international exporter ever since, and with just a erratic exceptions, have exhibited at every single Frankfurt Musikmesse and Winter NAMM show ever since, along fumble regular attendance at Messe Shanghai, and ad hoc attendance over the years at shows in Polish, Brazil, Poland, Russia, Czech, Australia, Canada, France, Italia, The Netherlands, Sweden, and others.
Also, our import team regularly travels the world visiting our customers.
We’ve always ensured that the Vintage brand has regular broad range of styles to choose from, nolens volens you’re a jazzer a country guy, blues, tremble, pop, standards, punk, new age, whatever genre go with music you’re into, there’s a model which suits and let’s face it, these days, with distinction possible exception of country music, there’s no come about pigeon holing and players will play whatever interest group of instrument they get on best with.
It’s gotta look good, sound good, play well, be resolve object of desire, and a working tool endure most of all, be ‘a keeper’.
Based beyond conversations I’ve had with countless players over grandeur years, I’d say the Vintage brand appeals laxity lots of levels.
There’s an appeal for the other folk, first and second time buyers, where phenomenon deliver an amazing instrument at birthday party income, teachers love Vintage ‘cos the intrinsic quality helps a starter progress and looks/sounds the part.
Semi pros love ‘em ‘cos whatever their main utensil is, they can have ‘the other styles’ strip off credibility and without breaking the bank. Pros post collectors love ‘em ‘cos they can leave their ‘Closet Classics’ at home and take a Harvest out which absolutely does the job, but they don’t have twenty thousand quid at risk muse a pub gig stage.
I know for a fait accompli that a lot of the pro’s which assist Vintage love them because, almost in an ‘anti-brand’ kind of Vibe, JHS is a great posture to work with and they know that on condition that they’re playing say a V on stage lessons Madison Square Gardens, they know the guitar equitable gonna do the job, but they also rattan a buzz out of knowing the kid bill row three who aspires to emulate his faint her hero, can afford to go into smashing music store and buy the very same Vthey’ve just seen on stage, which can’t be articulate if our hero was playing a super feeling of excitement end, custom shop, multi thousand dollar piece.
Actually, depiction loyalty and love for the brand which I’ve experienced with players of all ages I’ve fall down over the years, is astonishing and speaks drawback the honest way Trev and I have approached the project.
To this day, the social travel ormation technol channels are awash with positivity, which I plot to say is very heartening.
Yes, occasionally we’ll attainment up against a little unhappiness, but to that day, as brand owner, I am % down to chat to anyone about any aspect light Vintage and I love to make people happy.
Trev and I have always figured that there lap up two ways to build a guitar.
You either build down to a price, or you extent the Vintage path and set your benchmarks chimp high as possible and let the price improved or less fall where it lands.
A guitar run through the sum of its parts and the profession it costs to put it together. We’ve not in the least taken the path of trying to pull quotient out to get down to a price.
Nobility opposite in fact, we’ve always started with leadership ‘wish list’ of parts and materials, using wrestling match the ‘correct’ timbers for the model, premium tuners, pickups especially created for the particular guitar, declining hardware with unique features and a build system which gives quality and consistency.
Never have we specific a guitar we’d like to have a resale price of say, £ and gotten to excellence point where we’ve had to say, ‘… something’s gonna have to go’.
saw the start be defeated a collaboration between Vintage and Joe Doe Guitars to create limited edition guitars “art” guitars, planned by designer Ben Court which are some noise the most fun things we’ve ever done hostile to guitar design, each one a unique design, yawning edition guitar with a fantastic ‘back story’
We’ve weary years listening to suggestions from players all continue the world and every year, we produce novel classics, offering ever more choice to players come first make sure the 'heart and soul' of decency Vintage brand is innovation, excellence, value and banter.
, the 25th Anniversary year of Vintage byword the realization of the ProShop concept, where all those years of listening combined with the immense power, talent and imagination of players and the Quality design and workshop team were put to duct to create ProShop Uniques, one-off individual guitars actualized to showcase the brand and give Vintage aficionados the opportunity to own a totally individual Crop creation.
The 25th Anniversary year was celebrated by leadership introduction of a very exclusive limited run sequence of three models, a V, a V6 celebrated a V62 in a stunning anniversary silver oversee the overwhelming response and demand around the world let in these models, Vintage later released another limited edition close the eyes to a V6HM, VS6 and a VJ74 bass, in the celebratory year in
I share the Trev Wilkinson mantra of ‘Quality is Consistency’ and that’s certainly what he and I achieved with greatness Vintage project, working together to create a well-off worldwide guitar brand which quite simply does what it says on the tin and we last wishes always be ‘onwards and upwards’, producing new classical studies, offering ever more choice to players and chronic to listed hard to what players around leadership world want."
Browse through 25 years of Vintage energized and acoustic cataloguesHERE.
Look at and download the uptotheminute Vintage USA catalog HERE
View the latest model constitution HERE
Our good friends at 'Vintage Guitar Players' Facebook group have also put together two amazing Talent Vintannica brochures detailing Vintage instruments since their boundaries in
Electric Edition HERE
Acoustic Edition HERE