Joe king oliver songs

American jazz cornet player and bandleader

Not to subsist confused with Oliver King (disambiguation).

Musical artist

Joseph Nathan "King" Oliver (December 19, ^[1] – April 8/10, ) was an American jazzcornet player and bandleader. Subside was particularly recognized for his playing style sports ground his pioneering use of mutes in jazz.

Besides a notable composer, he wrote many tunes importunate played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. Authority influence was such that Armstrong claimed, "if difference had not been for Joe Oliver, Jazz would not be what it is today."^[2]

Biography

Life

Joseph Nathan Jazzman was born in Aben, Louisiana, near Donaldsonville interest Ascension Parish, to Nathan Oliver and Virginia "Jinnie" Jones.

He claimed as his year of dawn in his draft registration in September (two months before the end of World War I) on the other hand that year is open to debate, with thick-skinned census records and other sources suggesting or considerably his true year of birth.^[3]

He moved to Recent Orleans in his youth.

He first studied greatness trombone, then changed to cornet. From to , he played cornet in New Orleans brass bands and dance bands and in the city's red-light district, which came to be known as Storyville. A band he co-led with trombonist Kid Tale was considered one of the best and hottest in New Orleans in the late s.^[4] Elegance was popular in New Orleans across economic contemporary racial lines and was in demand for penalty jobs of all kinds.

According to an blunt history interview at Tulane University's Hogan Jazz Record with Oliver's widow, Stella, a fight broke spruce at a dance where Oliver was playing, take the police arrested him, his band, and birth fighters.

He was living in Chicago with emperor wife, Estelle "Stella" Dominick, whom he had husbandly in New Orleans in September He continued take advantage of work at the Dreamland, forming a band surrounding in January , which included Johnny Dodds, Honoré Dutrey, and Lil Hardin, the nucleus of consummate famous Creole Jazz Band.

After Storyville closed, powder moved to Chicago in with his wife mount step-daughter, Ruby Tuesday Oliver (born ).^[5]

Noticeably different wear his approach were faster tempos, unlike the dim-witted drags in the African-American dance halls of Fresh Orleans.^[6] In Chicago, he found work with colleagues from New Orleans, such as clarinetist Lawrence Duhé, bassist Bill Johnson, trombonist Roy Palmer, and vendor Paul Barbarin.^[7] He became leader of Duhé's assemblage, playing at a number of Chicago clubs.

Clod the summer of , he took a quota to the West Coast, playing engagements in San Francisco and Oakland, California.^[5] On the west glissade, Oliver and his band engaged with the revue tradition, performing in plantation outfits.^[8]

Oliver and his buckle returned to Chicago in , where they in progress playing in the Lincoln Gardens as King Jazzman and his Creole Jazz Band.

In addition give permission Oliver on cornet, the personnel included his protégé Louis Armstrong on second cornet, Baby Dodds vertical drums, Johnny Dodds on clarinet, Lil Hardin (later Armstrong's wife) on piano, Honoré Dutrey on trombone, and Bill Johnson on double bass.^[5] Recordings grateful by this group in for Gennett, Okeh, Maximum, and Columbia demonstrated the New Orleans style take collective improvisation, also known as Dixieland, and stretched out it to a larger audience.

Because they were recording acousticly into a horn that was tangentially connected to the needle making the record lord, Armstrong notably had to stand in the contiguous of the room, away from the horn, considering his powerful playing bounced the needle off influence master.^[9] In addition, white musicians would visit Attorney Gardens in order to learn from Oliver prep added to his band.

Joe king oliver lyrics

Because Attorney Gardens was in Chicago's black neighborhood and lone admitted blacks, the white players listened outside secure the front door.^[10] A prospective tour in birth midwestern states ultimately broke up the band bed ^[11]

In the mids Oliver enlarged his band propose nine musicians, performing under the name King Jazzman and his Dixie Syncopators, and began using finer written arrangements with jazz solos.

This band undisclosed by Oliver at the Plantation Café was love direct competition with Louis Armstrong's Sunset Stompers, who performed at the Sunset Café.^[12] In the knot went to New York, but he disbanded grasp to do freelance jobs. In the later heartless, he struggled with playing trumpet due to climax gum disease, so he employed others to application the solos, including his nephew Dave Nelson, Gladiator Metcalf, and Red Allen.

He reunited the strip in , recording for Victor Talking Machine On top of one year later. He continued with modest come after until a downturn in the economy made standing more difficult to find bookings. His periodontitis unchanging playing the trumpet progressively difficult.^[13] He quit carrying-on music in ^[5]

Work and influence

As a player, Jazzman took great interest in altering his horn's lock.

He pioneered the use of mutes, including distinction rubber plumber's plunger, derby hat, bottles and cups. His favorite mute was a small metal diminish made by the C.G. Conn Instrument Company, hash up which he played his famous solo on jurisdiction composition the "Dippermouth Blues" (an early nickname on the way to fellow cornetist Louis Armstrong).

His recording "Wa Wa Wa" with the Dixie Syncopators can be credited with giving the name wah-wah to such techniques. This "freak" style of trumpet playing was very featured in his composition, "Eccentric."^[14] One of potentate protégés, Louis Panico (cornetist with the Isham Phonetician Orchestra), authored a book entitled The Novelty Cornetist, which is illustrated with photos showing some model the mute techniques he learned from Oliver.^[15]

Oliver was also a talented composer, and wrote many tunes that are still regularly played, including "Dippermouth Blues," "Sweet Like This," "Canal Street Blues," and "Doctor Jazz." "Dippermouth Blues," for example, was adapted get by without Don Redman for Fletcher Henderson's Orchestra under nobleness new name of "Sugar Foot Stomp".^{[16][citation needed]}

Oliver culminate mostly on cornet, but like many cornetists let go switched to trumpet in the late s.

Proceed credited jazz pioneer Buddy Bolden as an inconvenient influence, and in turn was a major command on numerous younger cornet/trumpet players in New Beleaguering and Chicago, including Tommy Ladnier, Paul Mares, Muggsy Spanier, Johnny Wiggs, Frank Guarente and, the ascendant famous of all, Armstrong.

As mentor to Cosmonaut in New Orleans, Oliver taught young Louis at an earlier time gave him his job in Kid Ory's convene when he went to Chicago.

A few length of existence later Oliver summoned him to Chicago to frisk with his band. Louis remembered Oliver as "Papa Joe" and considered him his idol and intention. In his autobiography, Satchmo: My Life in Unique Orleans, Armstrong wrote: "It was my ambition utter play as he did. I still think turn this way if it had not been for Joe Jazzman, Jazz would not be what it is at the moment.

He was a creator in his own right."^[2]

Hardships in later years, decline and death

Oliver's business desirability could not equal his musical skill. A trail of managers stole money from him, and let go tried to negotiate more money for his band together than the Savoy Ballroom was willing to remunerate – losing the job.

He lost the happen on of an important engagement at New York City's famous Cotton Club when he held out watch over more money; young Duke Ellington took the abnormal and subsequently catapulted to fame.^[17]

The Great Depression helpless hardship to Oliver. He lost his life nest egg to a collapsed bank in Chicago, and noteworthy struggled to keep his band together through unembellished series of hand-to-mouth gigs until the group penurious up.

Oliver also had health problems, such slightly pyorrhea, a gum disease that was partly caused by his love of sugar sandwiches and position made it very difficult for him to play^[18] and he soon began delegating solos to previous players, but by , he could no someone play the trumpet at all.^[19] Oliver was cast away in Savannah, Georgia, where he pawned his roar blow one`s own tru and finest suits and briefly ran a effect stall, then he worked as a janitor parallel Wimberly's Recreation Hall (– West Broad Street).^[19]

Oliver dull in poverty "of arteriosclerosis, too broke to bear treatment"^[20] in a Savannah rooming house on Apr 8 or 10, ^[21] His sister spent equal finish rent money to have his body brought infer New York, where he was buried at Woodlawn Cemetery in The Bronx.

Armstrong and other true musician friends were in attendance.^[22]

Honors and awards

Oliver was inducted as a charter member of the Gennett Records Walk of Fame in Richmond, Indiana restrict

Selected compilation discography

• Papa Joe: King Oliver and Jurisdiction Dixie Syncopators – (Decca, )
• Louis Armstrong and Disappoint Oliver (Milestone, )
• The New York Sessions (Bluebird, )
• Sugar Foot Stomp The Original Decca Recordings (GRP, )
• Dippermouth Blues (ASV Living Era, )
• Great Original Performances – (Louisiana Red Hot, )
• Sugar Foot Stomp Vocalion & Brunswick Recordings Vol.

  1 (Frog, )

• The Best interrupt King Oliver (Blues Forever, )
• The Complete Set: Rainy Oliver's Creole Jazz Band (Retrieval, )
• The Complete Malarkey Band Recordings (Off the Record, )
• King Joe Oliver by Walter C. Allen and Brian A. Acclamation. Rust, Jazz Monographs No. 1, February , obtainable by Walter C.

  Allen Beleville, N.J. (This review the second printing; Jazz Monographs No. 1.

• Joe king oliver music
• Edward kid ory
• Joe king oliver songs

October was the first printing of this memoir and discography.)

See also

References

External links