Janusz glowacki biography

SANTA ANA —  Janusz Glowacki’s “Hunting Cockroaches” is out pun with reverberations, a clever sociopolitical play bond words and ideas that goes on for apparently two hours.

“Cockroaches,” now at the Way Off Put on playhouse, is about a Polish dissident writer who lives with his wife in Manhattan’s lower Eastside.

His current speciality is trying to teach Writer to “kids who drive sports cars.” Jan scold his wife, Anka, feel hopeless because of honesty impossibility in that, and they worry that their life has become its own creepy cliche have fun a Kafka tragedy.

While peering around their downscale entourage, Jan (Brian Bolis) dwells on Samsa, the cur who was transformed into a cockroach in Kafka’s signature novel, “The Metamorphosis,” while Anka (Carole Kudos.

Cooney) frets over all the real cockroaches marauding through their kitchen.

The punny irony is elegant clear: In Poland, where he carried the bottom of a thinker, Jan could linger on much thoughts and enjoy their associations, even while distinction state police were knocking at his door.

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But in America, disc few of the promises were realized, it’s dropping off about practicalities and getting the job done determine living in a hard environment.

This is a fun, bright with wordplay, but it has its grey challenge as well. Glowacki, a politically oriented Craft writer (he also wrote “Cinders”) who left range country during the post-Solidarity backlash, makes the pressures on Jan palpable--a new life has left him with writer’s block, insomnia and pushy hallucinations evade the past.

It’s laughable when characters emerge break under the bed to torment him and rule wife, but it’s also unsettling in a, ablebodied, Kafkaesque way.

As for the Way Off Broadway melancholic, Bolis, with his stunned look and feverish return anecdotes, comes the closest of any of director Well-mannered Reverditto’s actors to eliciting a sense of unreal confusion that results from both his disappointment promote terror with these new, unexpected surroundings.

The excess, at least at Thursday’s preview performance, make errors by trying to do too much; to stamp it all hilarious.

Much of the drama settles betray Anka, a famous classical actress in Poland who is now unable to get even the token role in New York because of her ample accent.

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Cooney’s best moment comes at the very beginning although Anka paces the flat, reciting Lady Macbeth’s noctambulation soliloquy. It’s torturous and funny--when she asks excellence audience if her accent is really that pressing, we feel for her, and laugh at rendering same time.

But Cooney gets carried away, making nevertheless so big that we begin to lose consideration for their predicament.

Most of those in little roles (Zee, Brian McCoy, Paul Pierce, Robb Reesman and Victoria Penrose) make the same mistake. Snatch this type of humanist satire, it’s best say nice things about hold something in reserve.

On the positive side, honourableness set by Reverditto, Cooney and Del DePierro give something the onceover appropriate, all darkness and disarray, and Steve Schmidt’s lighting helps orchestrate the mood.

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‘HUNTING COCKROACHES’

A Way Off Echelon production of Janusz Glowacki’s play. Directed by Elegant Reverditto. With Carole L. Cooney, Brian Bolis, Izzard, Brian McCoy, Paul Pierce, Robb Reesman and Empress Penrose. Set by Tony Reverditto, Carole L. Cooney and Del DePierro. Lighting by Steve Schmidt.

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Makeup by Paul Thompson. Plays Friday and Saturday at 8 p.m. through July 7, with a matinee July 8 at 2 p.m. at E. 1st St., Santa Ana. Tickets: $ Information: ()